| FILM (Samuel Beckett) and NOTFILM (Ross Lipman) |
| Oct. 30, 2018 |
| Ross Lipman in person
|
Clarkarts, Worcester, MA
| |
| CROSSROADS (Bruce Conner, 1976) and THE EXPLODING DIGITAL INEVITABLE (Ross Lipman, 2017) |
| October 22, 2018 |
| Ross Lipman in person
|
| First Person Cinema, Boulder
| |
| BETWEEN TWO CINEMAS (Ross Lipman, 2018) |
| Oct. 13, 2018 |
| World Premiere. Ross Lipman in person
|
| London Film Festival
| |
| FILM (Samuel Beckett) and NOTFILM (Ross Lipman) |
| Oct. 13, 2018 |
| as part of: Buster Keaton - The World is a Circus retrospective
|
| Centro Cultural Banco do Brasil, Rio de Janeiro
| |
| CROSSROADS (Bruce Conner, 1976) and THE EXPLODING DIGITAL INEVITABLE (Ross Lipman, 2017) |
| Oct. 5, 2018 |
| as part of Dokuarts Festival. Ross Lipman in person
|
| Zeughaus Kino, Deutschen Historischen Museum, Berlin
| |
| SPRING NIGHT, SUMMER NIGHT (J.L. Anderson, 1967) |
| Oct. 2, 2018 |
| restoration premiere. Peter Conheim and Franklin Miller in person.
|
| New York Film Festival
| |
| FILM (Samuel Beckett) and NOTFILM (Ross Lipman) |
| Sept 30, 2018 |
| Italian release screening
|
| Nuovo Cinema Aquila, Rome
| |
| DOCUMENTING THE PRESENT, PRESERVING THE FUTURE |
| Sept. 25, 2018 |
| International Documentary Association Conference panel with James Moll, Shola Lynch, Linda Tadic, Todd Wiener, Ross Lipman.
|
| Getting Real Conference, Linwood Dunn Theater / Academy of Motion Picture Arts and Sciences, Los Angeles
| |
| FILM (Samuel Beckett) |
| June 22 - Sept. 23, 2018 |
| ongoing gallery presentation
|
| Muzeum Sztuki, Lodz
| |
| THE BOOK OF PARADISE HAS NO AUTHOR (Ross Lipman, revised version 2018) |
| Sept. 22, 2018 |
| Mutual Films presentation of a live essay by Ross Lipman
|
| Instituto Moreira Salles, Rio de Janeiro
| |
| THE TIMES OF HARVEY MILK (Rob Epstein, 1984) and THE CONNECTION (Shirley Clarke, 1961) |
| Sept. 22, 2018 |
| Mutual Films hosts restorationist Ross Lipman
|
| Instituto Moreira Salles, Rio de Janeiro
| |
| THE BOOK OF PARADISE HAS NO AUTHOR (Ross Lipman, revised version 2018) |
| Sept. 20, 2018 |
| Mutual Films presentation of a live essay by Ross Lipman
|
| Instituto Moreira Salles, Sao Paolo
| |
| THE TIMES OF HARVEY MILK (Rob Epstein, 1984) and THE CONNECTION (Shirley Clarke, 1961) |
| Sept. 19, 2018 |
| Mutual Films hosts restorationist Ross Lipman
|
| Instituto Moreira Salles, Sao Paolo
| |
| FILM (Samuel Beckett) and NOTFILM (Ross Lipman) |
| Sept 6, 2018 |
| as part of American Pioneers, a Tribute to Milestone Films
|
| Mutual Films/Centro de Arte UNLP, La Plata, Argentina
| |
| CROSSROADS (Bruce Conner, 1976) |
| July 30 - Sept. 2 2018 |
| ongoing gallery presentation as title work in: CROSSROADS (Carnegie Museum of Art, 1945 to Now)
|
| Carnegie Museum of Art, Pittsburgh
| |
| WANDA (Barbara Loden, 1970) |
| July 20 - August 30th, 2018 (held over) |
| New York run of restoration release by Criterion
|
| Metrograph, New York
| |
| WANDA (Barbara Loden, 1970) |
| August 4, 10-12, 18-19, 2018 (held over) |
| Los Angeles run of restoration release by Criterion
|
| American Cinematheque, Los Angeles
| |
| NOTFILM (Ross Lipman) |
| July 12, 2018 |
| festival screening
|
| FIDMarseille
| |
| CROSSROADS (Bruce Conner, 1976) |
| on exhibition from March 3 'till June 17, 2018 |
| ongoing gallery presentation in: BOMBHEAD
|
| Vancouver Art Gallery
| |
| FILM (Samuel Beckett) and NOTFILM (Ross Lipman) |
| May 31 - June 6, 2018 |
| as part of Shirley Clarke: Portrait of Another Cinema
|
| Centro Pecci, Prato
| |
| KILLER OF SHEEP (Charles Burnett, 1977)
|
| June 3, 2018 |
| restoration screening
|
| Bildrausch - Filmfest, Basel
| |
| THE EXILES (Kent Mackenzie, 1961) |
| May 27th, 2018 |
| restoration screening
|
| Downtown Independent, Los Angeles
| |
| KILLER OF SHEEP (Charles Burnett, 1977)
|
| May 13, 2018 |
| restoration screenings
|
| American Essentials Film Festival tour, Sidney, Canberra and Brisbane, Australia
| |
| PASSING SHADOWS (Ross Lipman, 2013) |
| May 10, 2018 |
| illustrated lecture on Charles Mingus and John Cassavetes by Ross Lipman
|
Centro Pecci, Prato
| |
| PERSISTENCE OF REVISION followed by FILM (Samuel Beckett) and NOTFILM (Ross Lipman) |
| May 9, 2018 |
| illustrated lecture by Ross Lipman followed by screening
|
Cinema Beltrade, Milano
| |
| FILM (Samuel Beckett) and NOTFILM (Ross Lipman) |
| May 8, 2018 |
| Ross Lipman in person
|
Cineteca Nazionale - Cinema Trevi, Rome
| |
| CROSSROADS (Bruce Conner, 1976) and THE EXPLODING DIGITAL INEVITABLE (Ross Lipman, 2017) |
| May 5, 2018 |
| Italian premiere. Ross Lipman in person
|
| Museo Nazionale del Cinema, Torino
| |
| BRUCE CONNER: THE ART OF MONTAGE |
| May 4, 2018 |
| introduced by Ross Lipman
|
| Museo Nazionale del Cinema, Torino
| |
| ORNETTE: MADE IN AMERICA (Shirley Clarke, 1985) |
| April 30, 2018 |
| restoration screening
|
| Cinema Arsenal, Pisa
| |
| CROSSROADS (Bruce Conner, 1976) and THE EXPLODING DIGITAL INEVITABLE (Ross Lipman, 2017) |
| April 17, 2018 |
| Ross Lipman in person
|
| Northwest Film Forum, Seattle
| |
| THE CONNECTION (Shirley Clarke, 1961) |
| April 17, 2018 |
| restoration screening
|
| Boldini Sounds Jazz Festival, Ferrara
| |
| CROSSROADS (Bruce Conner, 1976) and THE EXPLODING DIGITAL INEVITABLE (Ross Lipman, 2017) |
| Mar 27, 2018 |
| Ross Lipman in person
|
| Wexner Center for the Arts, Columbus Ohio
| |
| ORNETTE: MADE IN AMERICA (Shirley Clarke, 1985) |
| March 27, 2018 |
| restoration screening, introduced by Stefano Zenni
|
| Museo Nazionale del Cinema, Torino
| |
| ORNETTE: MADE IN AMERICA (Shirley Clarke, 1985) |
| March 27, 2018 |
| restoration screening
|
| Boldini Sounds Jazz Festival, Ferrara
| |
| CROSSROADS (Bruce Conner, 1976) and THE EXPLODING DIGITAL INEVITABLE (Ross Lipman, 2017) |
| Mar 24, 2018 |
| New York premiere. Ross Lipman in person
|
| Metrograph Cinema, New York
| |
| FILM (Samuel Beckett) and NOTFILM (Ross Lipman) |
| March 24, 2018 |
| as part of "American Pioneers: Films from the Milestone Collection"
|
A Cinemateca Capitolio, Porto Alegre, Brazil
| |
| PERSISTENCE OF REVISION (Illustrated lecture and films by Ross Lipman) |
| Mar 21, 2018 |
| Ross Lipman in person
|
Wolf Kino, Berlin
| |
| FILM (Samuel Beckett) and NOTFILM (Ross Lipman) |
| Mar 20, 2018 |
| Ross Lipman in person
|
Kommkino/Filmhaus, Nuremberg
| |
| PERSISTENCE OF REVISION (Illustrated lecture and films by Ross Lipman) |
| Mar 19, 2018 |
| Ross Lipman in person
|
Kommkino/Filmhaus, Nuremberg
| |
| NOTFILM (Ross Lipman) |
| week of Mar 14, 2018 |
| Toute la memoire du monde touring program
|
L'Arlequin Cinema, Nyon
| |
| FILM (Samuel Beckett) and NOTFILM (Ross Lipman) |
| Mar 13, 2018 |
| Ross Lipman in person
|
Cinematographe Nantes
| |
| FILM (Samuel Becket) and NOTFILM (Ross Lipman) |
| Mar 12, 2018 |
| Italian release screening
|
Supercinema, Santarcangelo di Romagna
| |
| FILM (Samuel Beckett) and NOTFILM (Ross Lipman) |
| Mar 11, 2018 |
| Ross Lipman in person
|
Cinema Bozar, Palais des Beaux Arts, Brussels
| |
| THE WHITE ROSE (Bruce Conner, 1967. with Jay DeFeo) |
| on exhibition from Sept. 23, 2017 'till March 11, 2018 |
| ongoing gallery presentation in: William Blake and the Age of Aquarius
|
| Block Museum, Evanston/Chicago
| |
| ORNETTE: MADE IN AMERICA (Shirley Clarke, 1985) |
| March 11, 2018 |
| restoration screening
|
| Chiasso Jazz Festival
| |
| NOTFILM (Ross Lipman) |
| week of Mar 7, 2018 |
| Toute la memoire du monde touring program
|
Cinema Le Florian, Vaison La Romaine
| |
| FILM (Samuel Beckett) and NOTFILM (Ross Lipman) |
| Mar 8, 2018 |
| presented by Carlotta Films with Vincent Paul-Boncour and Ross Lipman in person
|
Toute la memoire du monde, Cinematheque francais, Paris
| |
| THE GRAY ZONE: INTERPRETING PRE-CINEMATIC COLOR (Ross Lipman) |
| Mar 7, 2018 |
| illustrated lecture, as part of Journee d'etudes internationale
|
Toute la memoire du monde, Cinematheque francais, Paris
| |
| ORNETTE: MADE IN AMERICA (Shirley Clarke, 1985) |
| March 2 - 7, 2018 |
| restoration screenings
|
| Cinema Beltrade, MIlano
| |
| ORNETTE: MADE IN AMERICA (Shirley Clarke, 1985) |
| Feb. 26, 2018 |
| restoration screening
|
| Apollo Undici, Rome
| |
| FILM (Samuel Beckett) and NOTFILM (Ross Lipman) |
| Feb. 24, 2018 |
| presented by Reading Bloom
|
Teatro Altrove, Genova
| |
| KILLER OF SHEEP (Charles Burnett 1977) and BLESS THEIR LITTLE HEARTS (Billy Woodberry, 1984)
|
| Feb 21, 2018 |
| "Charles Burnett and the Black Independent Movement" restoration screenings
|
| Miami Beach Cinematheque
| |
| FILM (Samuel Beckett) and NOTFILM (Ross Lipman) |
| Feb 16, 2018 |
| as part of "Reverse Angle: Cinema Looks at Itself"
|
Pacific Film Archive, Berkeley
| |
| KILLER OF SHEEP (Charles Burnett 1977)
|
| Feb 18, 2018 |
| restoration screening
|
| Suns Cinema, Washington D.C.
| |
| BLESS THEIR LITTLE HEARTS (Billy Woodberry, 1983)
|
| Feb 12, 2018 |
| restoration screening
|
| Nickelodeon Cinema, Columbia South Carolina
| |
| THE CONNECTION (Shirley Clarke, 1961) |
| Feb. 10, 2018 |
| restoration screening
|
| Cimatheque Cairo, Egypt
| |
| KILLER OF SHEEP (Charles Burnett, 1977)
|
| Feb 7-9, 2018 |
| restoration screening
|
| Pacific Cinematheque, Vancouver
| |
| BLESS THEIR LITTLE HEARTS (Billy Woodberry, 1983)
|
| Feb 7-9, 2018 |
| restoration screening
|
| Pacific Cinematheque, Vancouver
| |
| |
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