BORDER RADIO (Allison Anders, Dean Lent, Kurt Voss, 1987) |
July 31, 2022 |
American Neorealism, Part Two: 1984 - the present. Cinematographer and co-director Dean Lent in conversation with series curators Paul Malcolm and Ross Lipman.
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UCLA Film and Television Archive, Los Angeles
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RUBY IN PARADISE (Victor Nunez, 1993) and STRANGE WEATHER (Peggy Ahwesh, Margie Strosser, 1993) |
July 29, 2022 |
American Neorealism, Part Two: 1984 - the present.
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| UCLA Film and Television Archive, Los Angeles
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BALLAST (Lance Hammer, 2008) and GEORGE WASHINGTON (David Gordon Green, 2000) |
July 24, 2022 |
American Neorealism, Part Two: 1984 - the present.
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| UCLA Film and Television Archive, Los Angeles
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BELOW DREAMS (Garrett Bradley, 2014) and IT'S IMPOSSIBLE TO LEARN TO PLOW BY READING BOOKS (Richard Linklater, 1988) |
July 22, 2022 |
American Neorealism, Part Two: 1984 - the present.
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| UCLA Film and Television Archive, Los Angeles
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MAN PUSH CART (Ramin Bahrani., 2005) and CHOP SHOP (Ramin Bahrani., 2007) |
July 17, 2022 |
American Neorealism, Part Two: 1984 - the present. Ramin Bahrani in person.
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| UCLA Film and Television Archive, Los Angeles
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NEVER RARELY SOMETIMES ALWAYS (Eliza Hittman 2020) |
July 16, 2022 |
American Neorealism, Part Two: 1984 - the present. Producer Sara Murphy in person.
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| UCLA Film and Television Archive, Los Angeles
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OUR SONG (Jim McKay, 2000) and IN BETWEEN DAYS (So Yong Kim, 2006) |
June 26, 2022 |
American Neorealism, Part Two: 1984 - the present. Our Song director Jim McKay and In Between Days producer Bradley Rust Gray in person.
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| UCLA Film and Television Archive, Los Angeles
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FROWNLAND (Ronald Bronstein, 2007) and WENDY AND LUCY (Kelly Reichardt, 2008) |
June 18, 2022 |
American Neorealism, Part Two: 1984 - the present. 35mm prints.
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| UCLA Film and Television Archive, Los Angeles
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THE OTHER SIDE (Roberto Minervini, 2015) and TANGERINE (Sean Baker, 2015) |
June 17, 2022 |
American Neorealism, Part Two: 1984 - the present. In person: Directors Roberto Minervini and Sean Baker.
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| UCLA Film and Television Archive, Los Angeles
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SUGAR (Anna Boden, Ryan Fleck, 2008) and ON THE SEVENTH DAY (En el séptimo día) (Jim McKay, 2017) |
June 10, 2022 |
American Neorealism, Part Two: 1984 - the present. In person: Lead actor Algenis Perez Soto.
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| UCLA Film and Television Archive, Los Angeles
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HOOP DREAMS (Steve James, 1994)
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June 6, 2022 |
Restoration screening. Steve James in person.
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| Siskel Film Center, Chicago
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MY BROTHER'S WEDDING (Charles Burnett, 1983) and RESIDUE (Merawi Gerima, 2020) |
June 4, 2022 |
American Neorealism, Part Two: 1984 - the present. Charles Burnett in person.
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| UCLA Film and Television Archive, Los Angeles
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SONGS MY BROTHER TAUGHT ME (Chloé Zhou, 2015) and THE RIDER (Chloé Zhou, 2017) |
June 3, 2022 |
Opening Night, American Neorealism, Part Two: 1984 - the present. Post-screening Zoom conversation with SONGS lead actress Jashua St. John.
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| UCLA Film and Television Archive, Los Angeles
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THE CASE OF THE VANISHING GODS (Ross Lipman, 2021)
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April 30, 2022 |
Chicago Premiere. with live performance by Chicago's Theater Oobleck of a new play by Mickle Maher, featuring Diana Slckman and Colm O'Reilly. Post-screening panel featuring film critic Jonathan Rosenbaum in conversation with actors David Isaacson and Jeff Dorchen, puppeteer Audrey Densmore, and filmmaker Ross Lipman.
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| Music Box Theater, Chicago
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THE CASE OF THE VANISHING GODS (Ross Lipman, 2021)
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April 19 - May 1, 2022 |
South American Premiere
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| BAFICI - Buenos Aires Festival of Independent Cinema
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RETURN OF THE SECAUCUS SEVEN (John Sayles, 1980)
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April 22, 2022 |
Restoration screening. John Sayles and Maggie Renzi in person.
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| TCM Classic Film Festival, Los Angeles
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THE CASE OF THE VANISHING GODS (Ross Lipman, 2021)
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April 14, 2022 |
Los Angeles Premiere. with live live ventriloquism performance by Karl Herlinger and live puppet performances by Audrey Densmore, Eli Presser, Michael Serwich and Jeff Speetens. Post-screening panel moderated by filmmaker Rodney Ascher, with actors David Isaacson and Jeff Dorchen, puppet artists Audrey Densmore and Julia Zanes, and filmmaker Ross Lipman.
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| American Cinematheque, Los Angeles
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LIFE IS CHEAP (Wayne Wang, 1989)
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March 26, 2022 |
West Coast restoration premiere - new Director's Cut. Wayne Wang in conversation with Antonella Bonfanti.
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| Pacific Film Archive, Berkeley
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BEHIND EVERY GOOD MAN (Nicolai Ursin, 1966)
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March 21, 2022 |
Restoration screening, as part of Pioneers of Queer Cinema.
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| UCLA Film and Television Archive, Los Angeles
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CHOOSING CHILDREN (Debra Chasnoff and Kim Klausner, 1985)
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March 20, 2022 |
Restoration screening, as part of Pioneers of Queer Cinema.
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| UCLA Film and Television Archive, Los Angeles
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THE TIMES OF HARVEY MILK (Rob Epstein and Richard Schmiechen, 1984)
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March 12, 2022 |
Restoration screening, as part of Pioneers of Queer Cinema. In-person:
filmmaker Rob Epstein in conversation with John Cameron Mitchell.
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| UCLA Film and Television Archive, Los Angeles
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FIREWORKS (Kenneth Anger, 1947)
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March 11, 2022 |
Restoration screening, as part of Pioneers of Queer Cinema.
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| UCLA Film and Television Archive, Los Angeles
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WORD IS OUT (Mariposa Collective, 1977)
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March 7, 2022 |
Restoration screening, as part of Pioneers of Queer Cinema.
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| UCLA Film and Television Archive, Los Angeles
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LIFE IS CHEAP (Wayne Wang, 1989)
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March 4, 2022 |
Restoration premiere - new Director's Cut. Wayne Wang in conversation with Jesse Pires.
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| Lightbox Film Center, Philadelphia
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