| BORDER RADIO (Allison Anders, Dean Lent, Kurt Voss, 1987) |
| July 31, 2022 |
| American Neorealism, Part Two: 1984 - the present. Cinematographer and co-director Dean Lent in conversation with series curators Paul Malcolm and Ross Lipman.
|
UCLA Film and Television Archive, Los Angeles
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| RUBY IN PARADISE (Victor Nunez, 1993) and STRANGE WEATHER (Peggy Ahwesh, Margie Strosser, 1993) |
| July 29, 2022 |
| American Neorealism, Part Two: 1984 - the present.
|
| UCLA Film and Television Archive, Los Angeles
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| BALLAST (Lance Hammer, 2008) and GEORGE WASHINGTON (David Gordon Green, 2000) |
| July 24, 2022 |
| American Neorealism, Part Two: 1984 - the present.
|
| UCLA Film and Television Archive, Los Angeles
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| BELOW DREAMS (Garrett Bradley, 2014) and IT'S IMPOSSIBLE TO LEARN TO PLOW BY READING BOOKS (Richard Linklater, 1988) |
| July 22, 2022 |
| American Neorealism, Part Two: 1984 - the present.
|
| UCLA Film and Television Archive, Los Angeles
| |
| MAN PUSH CART (Ramin Bahrani., 2005) and CHOP SHOP (Ramin Bahrani., 2007) |
| July 17, 2022 |
| American Neorealism, Part Two: 1984 - the present. Ramin Bahrani in person.
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| UCLA Film and Television Archive, Los Angeles
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| NEVER RARELY SOMETIMES ALWAYS (Eliza Hittman 2020) |
| July 16, 2022 |
| American Neorealism, Part Two: 1984 - the present. Producer Sara Murphy in person.
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| UCLA Film and Television Archive, Los Angeles
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| OUR SONG (Jim McKay, 2000) and IN BETWEEN DAYS (So Yong Kim, 2006) |
| June 26, 2022 |
| American Neorealism, Part Two: 1984 - the present. Our Song director Jim McKay and In Between Days producer Bradley Rust Gray in person.
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| UCLA Film and Television Archive, Los Angeles
| |
| FROWNLAND (Ronald Bronstein, 2007) and WENDY AND LUCY (Kelly Reichardt, 2008) |
| June 18, 2022 |
| American Neorealism, Part Two: 1984 - the present. 35mm prints.
|
| UCLA Film and Television Archive, Los Angeles
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| THE OTHER SIDE (Roberto Minervini, 2015) and TANGERINE (Sean Baker, 2015) |
| June 17, 2022 |
| American Neorealism, Part Two: 1984 - the present. In person: Directors Roberto Minervini and Sean Baker.
|
| UCLA Film and Television Archive, Los Angeles
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| SUGAR (Anna Boden, Ryan Fleck, 2008) and ON THE SEVENTH DAY (En el séptimo día) (Jim McKay, 2017) |
| June 10, 2022 |
| American Neorealism, Part Two: 1984 - the present. In person: Lead actor Algenis Perez Soto.
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| UCLA Film and Television Archive, Los Angeles
| |
| HOOP DREAMS (Steve James, 1994)
|
| June 6, 2022 |
| Restoration screening. Steve James in person.
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| Siskel Film Center, Chicago
| |
| MY BROTHER'S WEDDING (Charles Burnett, 1983) and RESIDUE (Merawi Gerima, 2020) |
| June 4, 2022 |
| American Neorealism, Part Two: 1984 - the present. Charles Burnett in person.
|
| UCLA Film and Television Archive, Los Angeles
| |
| SONGS MY BROTHER TAUGHT ME (Chloé Zhou, 2015) and THE RIDER (Chloé Zhou, 2017) |
| June 3, 2022 |
| Opening Night, American Neorealism, Part Two: 1984 - the present. Post-screening Zoom conversation with SONGS lead actress Jashua St. John.
|
| UCLA Film and Television Archive, Los Angeles
| |
| THE CASE OF THE VANISHING GODS (Ross Lipman, 2021)
|
| April 30, 2022 |
| Chicago Premiere. with live performance by Chicago's Theater Oobleck of a new play by Mickle Maher, featuring Diana Slckman and Colm O'Reilly. Post-screening panel featuring film critic Jonathan Rosenbaum in conversation with actors David Isaacson and Jeff Dorchen, puppeteer Audrey Densmore, and filmmaker Ross Lipman.
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| Music Box Theater, Chicago
| |
| THE CASE OF THE VANISHING GODS (Ross Lipman, 2021)
|
| April 19 - May 1, 2022 |
| South American Premiere
|
| BAFICI - Buenos Aires Festival of Independent Cinema
| |
| RETURN OF THE SECAUCUS SEVEN (John Sayles, 1980)
|
| April 22, 2022 |
| Restoration screening. John Sayles and Maggie Renzi in person.
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| TCM Classic Film Festival, Los Angeles
| |
| THE CASE OF THE VANISHING GODS (Ross Lipman, 2021)
|
| April 14, 2022 |
| Los Angeles Premiere. with live live ventriloquism performance by Karl Herlinger and live puppet performances by Audrey Densmore, Eli Presser, Michael Serwich and Jeff Speetens. Post-screening panel moderated by filmmaker Rodney Ascher, with actors David Isaacson and Jeff Dorchen, puppet artists Audrey Densmore and Julia Zanes, and filmmaker Ross Lipman.
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| American Cinematheque, Los Angeles
| |
| LIFE IS CHEAP (Wayne Wang, 1989)
|
| March 26, 2022 |
| West Coast restoration premiere - new Director's Cut. Wayne Wang in conversation with Antonella Bonfanti.
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| Pacific Film Archive, Berkeley
| |
| BEHIND EVERY GOOD MAN (Nicolai Ursin, 1966)
|
| March 21, 2022 |
| Restoration screening, as part of Pioneers of Queer Cinema.
|
| UCLA Film and Television Archive, Los Angeles
| |
| CHOOSING CHILDREN (Debra Chasnoff and Kim Klausner, 1985)
|
| March 20, 2022 |
| Restoration screening, as part of Pioneers of Queer Cinema.
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| UCLA Film and Television Archive, Los Angeles
| |
| THE TIMES OF HARVEY MILK (Rob Epstein and Richard Schmiechen, 1984)
|
| March 12, 2022 |
| Restoration screening, as part of Pioneers of Queer Cinema. In-person:
filmmaker Rob Epstein in conversation with John Cameron Mitchell.
|
| UCLA Film and Television Archive, Los Angeles
| |
| FIREWORKS (Kenneth Anger, 1947)
|
| March 11, 2022 |
| Restoration screening, as part of Pioneers of Queer Cinema.
|
| UCLA Film and Television Archive, Los Angeles
| |
| WORD IS OUT (Mariposa Collective, 1977)
|
| March 7, 2022 |
| Restoration screening, as part of Pioneers of Queer Cinema.
|
| UCLA Film and Television Archive, Los Angeles
| |
| LIFE IS CHEAP (Wayne Wang, 1989)
|
| March 4, 2022 |
| Restoration premiere - new Director's Cut. Wayne Wang in conversation with Jesse Pires.
|
| Lightbox Film Center, Philadelphia
| |
| |
| FOR PAST EVENTS CLICK
HERE |
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